Thursday, October 20, 2016

Color Chart Love and Traveling Watercolor Set

Color Me Nerdy

So I finally did it....

After TWO university degrees in art and painting, you’d think I would have been assigned this....I know I will atleast heavily suggest this to my students. (Yes I am that kind of art professor).


I finally made my first color chart!!


Wow and did I ever learn a lot!!  It got my watercolor process grooving (yes I know it is not really a painting, art or process word but it does seem the best one to use).  This color chart made me think much more in-depth about my mixing proportions, viscosity of the paint, tinting the best way possible.  Finally, the repetition (120 of those little suckers) forced me to fine tune my mixing and application to make things more accurate than I normally strive for.


It is all about the proportion of pigments

75/25----50/50------25/75


Not only that, I now have a handy dandy reference guide to refer to later.  

This is so cool because it is useful in so many ways. I can now have better control over my palette, not spend a ton of $ on all sorts of funky color tubes... I can just mix my own funky colors!



Buh-Bye Guys!
(Well, maybe we can still be friends...)


Special thanks to Christopher Winn for the palette selections and Watercolour Journey for the set-up and mixing process.

In fact this video from Watercolor Journey does a great job with explaining the showing the color chart process I used.  (Starting at the 2:50 mark.) AND it shows some really cool little traveling watercolor sets like the one I mentioned in class last week.

Friday, September 30, 2016

Master Watercolorists Demos : Alavro, Keiko and Mary


Alvaro Castagnet











The Passionate Painter in Havana - Part 1: Alvaro Castagnet

I just want to watch him paint while splitting a pitcher of sangria with him, don’t you? He travels all over the world, working in plein air.

He has such an amazing sense of composition and value that he can just whip these masterpieces out.  

And now for a totally different approach...





Mary Whyte also makes masterful watercolor pieces. But her way of researching and meticulous application, I do not think could be anymore different...and yes that image is a watercolor, NOT a photograph!

Artist Mary Whyte’s Labor of Love

In this video you see her working on a series she calls, Working South, based on Southern jobs that are going out of date.  




Mary Whyte


Lastly this artist demos the whole process and it is great to see it develop.  Note how much the color lightens up as it dries!

Keiko 

Just click on the title of the videos to see them yourself.  Would love to hear what you think of both of these artists and their approaches, particularly if you find it influences your own way of approaching watercolor!


Saturday, September 24, 2016

Setting The Tone.

Another great class! We had so much fun that I forgot to take any photos!  But I am remembering to put up my tonal reference photos for anyone who wants to use these for any extra practice...

and the best thing is, I made them large enough, that you can even do a transfer directly from your screen onto tracing paper!

Enjoy....

First off, the cube.

The cube is the best place to start, using only hard edges...



 Then the egg, with its rounded surface makes us introduce soft edges and value transitions “turning the form”.










Now combining the two forms with different lighting sources...










Facial plaster casts from Michaelangelo’s “David”

















The extra challenge, putting it all together and dealing with the erosion texture on the nose...










And a final study, this is from a photo I took last Spring and then popped into a tonal filter.  Thinking I am going to use hard/found edges on the flowers and soft/lost ones on the back ground...





Happy Painting!!



Thursday, September 15, 2016

Great Start!!

Wow! Impressive work from everyone coming right out of the gate....


So glad we got to breeze through these studies

Since it led to these amazing pieces!

Nice crisp edge on the left of that vase, Susan. Bravo!!


Incredible sense of form and action Mac!



Okay MaryAnne got a huge head start, but WOW those tones and composition!



Betsy is making realism look easy!  I want to pick up both of those tubes!




Other "Bookend" Betsy shows us her fantastic still life rendering skills


Great tonal still life study MaryAnne!

Wednesday, September 14, 2016

Welcome! Material List & Vendor Lists

Hi.  Thanks for stopping in.  This blog is to be an additional resource for those in my class at the Visual Arts Center in Richmond, Virginia USA or any watercolorist who happens to stumble across it...

Obviously we are still in construction mode here but I wanted to make this a useful resource ASAP...
Some of Last Spring's Class with their works



So here we go...take a deep breath!  It's the materials list and it is long...Not because you need all this stuff but I put in some notes to help you make your purchasing decisions. VisArts people feel free to email/text me if you have any questions...

Happy Shopping!

Materials for Introduction-Intermediate Watercolor
Visual Arts Center
Kathy Calhoun-instructor 
*can bring just very basics italicized to class the first time so that you can see and demo other supplies before purchasing

Paper-
-Strathmore Watercolor Paper Block 11”x15” cold pressed
*can bring other watercolor paper but also bring a solid board to tape it onto

Paints-
-Watercolor paint that comes in tubes
Daniel Smith brand is some of the best
Windsor Newton brand is good
Reeves Brand from AC Moore is inexpensive

Color Palette
-since this class is mainly focusing on value, at the least get one color that has a good contrast to your paper.  But if you want to explore color…
Basic Color Palette (primaries + black + some earthtones)
Ultramarine Blue,
Quinacridone Red,
Hansa Yellow,
Lamp Black,
Yellow Ochre
 Burnt Sienna. Or close variations of them as the art store you shop at might advise
More Developed Color Palette
-add these colors (secondaries, cooler primaries, and “modern” pigments)
Cobalt Blue,
 New Gamboge,
 Phthalo Blue-red shade,
 Phthalo Green-blue shade

-White plastic or ceramic palette (or any watercolor palette with at least 12 small wells or indentions to hold puddles) with several medium size wells to mix colors in. Traveler’s size that folds is a fine


Liquid Mask (sometimes called “frisk”)
Windsor Newton Art Masking Fluid for Watercolour

Brushes
At least one of each – ½” to 1” flat, round, liners and angular.  Get ones that feel good in your hand and you think will do a good job of covering the paper.  The numbers for brushes generally get bigger as the number gets larger.

My preferred sizes...might want yours to be “in the neighborhood”
1. #4 or bigger round*
2. ½” angular brush
3. liner (sometimes called rigger) # 1 or 2 for detail work

Ground
-Masonite board (about 12”x16”) if working on loose paper. You can find one about this size with clips at AC Moore and Plaza.

*If you really want to splurge...synthetic squirrel quill mop made by Princeton Neptune line.  Brush load release is very sensitive to hand pressure-great for going from a wash to fine line in one stroke.

Miscellaneous but still important

-Pencil and white or kneadable eraser..no pinkies allowed in class.

-Sketchbook good size is 9”x12” or some blank paper to make rough sketches on

-2 water containers (plastic, preferably clear) that can hold at least 2 cups each

-paper towels

-Masonite board (about 12”x16”) if working on loose paper.

-Painter’s tape ½” wide or wider



Vendors in the Richmond, Virginia area...

Plaza Art Materials                             927 W. Grace St. Richmond                                                   359-5900
Plazaart.com                                             near VCU in the fan                              

Very knowledgeable staff, wide variety to supplies. This is the best place to find the hard to find or newly developed art supplies. Only place for Daniel Smith paints and Squirrel Mop brushes

A.C. Moore                                                9744 Midlothian Trnpk.                                      323-8360
Acmoore.com
                                                                       
Check their website to find locations in the Richmond area.

They often will have big coupons (40%, 50%) off so look on-line before you go.

Michael’s                                                   16007 Midlothian Trnpk                                                      897-7140

Again they have several in the area, as well as on-line coupons.  Not quite as well stocked as AC Moore.

VCU e2 Bookstore                              1111W. Broad St                                                                        828-1678

Hobby Lobby                        check on-line, locations in Short Pump and Midlo